As part of the CREAT Chair, NAD-UQAC School has partnered with the École de cirque de Verdun to train circus artists in digital creativity. Together, we aim to support artists in appropriating these technologies so they become tools for expression, innovation, and well-being.
Because the CREAT Chair seeks to build a repository of exemplary practices in digital creativity, it is essential to document and evaluate this training initiative. In a society where digital technologies increasingly shape how we learn, create, and participate in collective life, digital citizenship has become a central issue. It involves not only the ability to use technologies competently, but also to understand, interpret, and question digital content, assess its credibility, create with intention, and navigate these environments ethically and responsibly.
Developing true digital citizenship therefore means fostering an informed and creative appropriation of technology.
This research project is grounded in this perspective. It aims to understand how digital tools and practices can enrich the expression of cultural citizenship within the circus arts, through the training offered at the École de cirque de Verdun. In other words, we seek to understand how this introduction to digital technologies has supported students in their artistic development, their relationship to the world, and their participation in culture. Has it enabled them to feel better equipped, more legitimate, and more engaged in their role as cultural citizens?
This project will help deepen our understanding of the connections between digital citizenship and cultural citizenship, and identify concrete pathways for digital creativity to fully contribute to the flourishing of individuals and communities.
EVENTS

First edition of PRISE, Numeric Creativity Festival
Latest Podcasts & Videos
Understanding the challenges of discoverability to make music accessible
At the intersection of migration trajectories and Québec’s cultural ecosystems, this episode explores the priorities that should guide efforts around discoverability. Caroline Marcoux-Gendron, Affiliated Professor at the Université du Québec à Montréal, and Romuald Jamet, Associate Professor at INRS, discuss the distinctive features of Québec’s music landscape: its linguistic, institutional, and cultural dynamics, as well as the recognition biases that affect, among others, artists from immigrant backgrounds.
CREATivity in Action: Stories of Digital Practices
Digital creativity is transforming the ways we produce and interact. Two researchers from CREAT—Philippe Vaucher, professor in the Unité d’enseignement et de recherche en création et nouveaux médias at the Université du Québec en Abitibi-Témiscamingue (UQAT), and Louis-Philippe Rondeau, also a professor at the École des arts numériques de l’animation et du design at the Université du Québec à Chicoutimi (NAD/UQAC)—shed light on current innovations in this field.
“L’écho des Plantes” : An Ecological and Poetic Opera
Is it possible to create an opera with plants?
This episode takes you inside a groundbreaking artistic initiative.
Imagined in collaboration with teenagers, L’Écho des Plantss is a transdisciplinary opera that brings together living systems, the arts, and science in a dynamic dialogue.
Charlotte Gagnon (Manager of Social Action and Education at Opéra de Montréal / Co-founder and Co-Artistic & Executive Director of Productions Rigoletta) and Antoine Bellemare (multidisciplinary artist and postdoctoral researcher) take us behind the scenes of this collective creation, where emotions, plant signals, and words intertwine to shape a new way of listening to the world.