RESEARCH CHAIR IN THE CREATIVE ECONOMY AND WELL-BEING

At the intersection of migration trajectories and Québec’s cultural ecosystems, this episode explores the priorities that should guide efforts around discoverability. Caroline Marcoux-Gendron, Affiliated Professor at the Université du Québec à Montréal, and Romuald Jamet, Associate Professor at INRS, discuss the distinctive features of Québec’s music landscape: its linguistic, institutional, and cultural dynamics, as well as the recognition biases that affect, among others, artists from immigrant backgrounds.

Digital creativity is transforming the ways we produce and interact. Two researchers from CREAT—Philippe Vaucher, professor in the Unité d’enseignement et de recherche en création et nouveaux médias at the Université du Québec en Abitibi-Témiscamingue (UQAT), and Louis-Philippe Rondeau, also a professor at the École des arts numériques de l’animation et du design at the Université du Québec à Chicoutimi (NAD/UQAC)—shed light on current innovations in this field.

Is it possible to create an opera with plants?
This episode takes you inside a groundbreaking artistic initiative.

Imagined in collaboration with teenagers, L’Écho des Plantss is a transdisciplinary opera that brings together living systems, the arts, and science in a dynamic dialogue.

Charlotte Gagnon (Manager of Social Action and Education at Opéra de Montréal / Co-founder and Co-Artistic & Executive Director of Productions Rigoletta) and Antoine Bellemare (multidisciplinary artist and postdoctoral researcher) take us behind the scenes of this collective creation, where emotions, plant signals, and words intertwine to shape a new way of listening to the world.